What People Are Saying About My Ukuleles: David in Wisconsin

  “Low expectations are totally a baseless waste of time. I love it. I just got home from work tonight about 9:00pm and picked it up on my way in. The sound quality and timbre are exactly what I expected and wanted. I am going to obsessively play around with it for the next week and if I do have any problems I will let you know, but I really do love it. I couldn’t imagine a sound more like what I wanted. I keep saying “wanted,” but what I really mean is “Dreamed of…” The only thing I would change, and as I settle into it I might actually change is to switch from friction tuners to machined tuners. My personal preference is for machined tuners. I have a damned hard time getting friction tuners in tune. They always seem so sensitive that I have a hard time getting them as precisely tuned as I want them to be, expecially with a resonator. The resonators just project so dramatically (especially with the higher overtones being so prominent) that I always hear every one of my tuning imperfections way to much. Not to focus on that, because I sat and played it to my wife over the phone for the better part of an hour (I work out of town, so alot of our interaction is over the phone) because I was so blown over by the sound. I love it. Thanks again for all of your time. I hope to get the opportunity to get another one of your amazing Ukes sometime.”

David was kind enough to write an “official” review as well:

“So I am new here and I actually joined to write a review for a phenomenal Luthier and the amazing instrument I just purchased from this easy going, friendly and helpful gentleman.

I bought a concert size resonator uke from Russ Morrin [sic] also known as Big Rusty Ukuleles and I couldn’t be happier. I fell in love with the depth of sound coming out of his youtube recordings and I talked to him extensively, (his patience is amazing… I can be annoying.) In any event, I eventually decided to go with it.

The details:

Body, neck and resonator cover are solid magnolia. Fretboard is spalted dogwood and it has a slight (20′) radius. Fretboard markers are holly. Truss rod is square steel rod. Tuners are Gotoh Deluxe friction tuners. Nut is African Blackwood. Cone is National. Scale is 15″.

Now, he sent it with the warning that it is his prototype and is no beauty queen, along with a couple of other odd cosmetic flaws due to being his first resonator. The cone doesn’t quite match up with the cover. Cosmetic only. The action is slightly high at the 12th fret which I haven’t actually noticed.

He finished it with an effort to give it that old worn painted body reso-look and I have to say he did it beautifully. The overall effect is that of a painted body uke that has worn smoothly enough to allow the gorgeous wood grain underneath to peak out. I really like it.

Soundwise, I am absolutely blown away. As a guy with a gruff slightly gravelly lower range and a big but piercing upper register, I was really looking for a reso with enough body to keep up with my voice. This one does it and then some. Russ said that there’s a cork gasket on the cone and that that’s why we are guessing that it has the big throaty sound that it has. It isn’t the thin, tinny sound that you get out of a lot of reso-ukes, but it is rich, full bodied and doesn’t lose any of the metallic bite that I look for in of a resonator.

I played a 4 day gig last week with my band and we got booked in a suite with another duo who we play with regularly. Inevitably it got passed around throughout the 5 of us who play uke or strings of some type, and it got rave reviews all around, including one of the guitar players in my band who I tend to think of as ocassionaly being a, “hyper critical jerk.” I was actually expecting some ridiculing from him for buying any other resonator than a national, and I was shocked to see how much he kept complimenting its sound, looks and playability.

There is only one criticism that I would make, and that is my personal dislike of friction tuners. I think that, as a general rule, to consistently maintain effective tuning without spending an inordinate amount of time monkeying with them you should either have fine tuners like you would get on a violin, or you should switch to geared tuners, which I am planning on doing.

Tuners aside, I couldn’t be any happier with my instruments sound, looks and overall quality, on top of Russ being a friendly, easy to get along with, and just darn helpful gentleman.

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Published in: on July 27, 2011 at 10:37 pm  Leave a Comment  

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